Oscar-winning screenwriter Brian Helgeland says his L.A. Confidential sequel pitch brought about a Netflix government to go to sleep.
L.A. Confidential sits proudly on numerous High 10 lists, with movie buffs usually celebrating the crime drama’s intelligent script, excellent performances, and traditional strategy to thriller. Hollywood needs to be desirous to green-light an L.A. Confidential sequel pitch, proper? Effectively, a brand new report from Deadline says L.A. Confidential author Brian Helgeland and authentic writer James Ellroy introduced a follow-up to the 2017 hit, and nobody was .
“James Ellroy and I labored out an elaborate pitch for L.A. Confidential 2 that takes place throughout the Patty Hearst (period), when the Symbionese Liberation Military got here right down to L.A., and we had Man Pearce hooked up and Russell (Crowe) and Chadwick Boseman taking part in a younger cop working for Mayor Bradley,” Helgeland informed Deadline.
“We pitched it to everybody,” Helgeland defined. “We needed to go to Warner Bros first and Warner Bros is like we don’t make films like this.”
If that’s not sufficient of a sting after pouring your time and vitality into what looks like a slam dunk challenge, Helgeland says an government at Netflix fell asleep throughout the pitch!
“They fell asleep and nodded off throughout the pitch,” Helgeland admitted. Feeling dejected, Helgeland returned dwelling that day and mentioned, “We will’t do this anymore.”
To not be defeated, Helgeland is making the scene on the Toronto Worldwide Movie Competition to advertise the premiere of the Paramount+ crime thriller Finestkind. JoBlo’s Chris Bumbray reviewed the challenge, saying it’s “a slick, well-made drama with somewhat edge and numerous coronary heart. It feels just like the sort of film they used to make again within the’ 80s/90s/2000s, and in case you miss these days, like I do, you’ll discover this nicely value your time.”
Bumbray provides, “Despite the fact that nothing terribly shocking occurs over the two-hour working time, it may’t be denied that Finestkind is entertaining and considerably refreshing in its non-cynical tackle traditional themes like brotherhood and the love between a father and his son. Some people on the TIFF press screening giggled when Helgeland laid on the cliches somewhat thick, however there was additionally a hearty spherical of applause when the credit rolled for this Paramount Plus-bound drama.”
What do you suppose went unsuitable throughout Helgeland’s L.A. Confidential sequel pitch? Are the themes too archaic to enchantment to fashionable audiences? Tell us in case you really feel the pitch seems like one thing you’d get pleasure from within the feedback under.